Sep 27, 2017  [1] See a timeline of Mystics and Non-Dual Thinkers throughout history (PDF). [2] Hildegard of Bingen, Scivias 1.2.29. Translation supplied by Avis Clendenen, “Hildegard: ‘Trumpet of God’ and ‘Living Light’” in Chicago Theological Seminary Register 89 (2), Spring 1999, 25.

Bookmark Author Subjects;; Audience Specialized Contents • Preface. Translator's note. Co-Translator's note.

Declaration: These are true visions flowing from God. • Book One: The creator and creation. God enthroned shows himself to Hildegard. Creation and the fall. The universe and its symbolism. Soul and body. The synagogue.

6.The choirs of angels. • Book Two: The redeemer and redemption. The redeemer.

The church, bride of Christ and mother of the faithful. The three orders in the church.

Christ's sacrifice and the church. • Book Three: The history of salvation symbolized by a building. The edifice of salvation. The tower of anticipation of God's will. The pillar of the word of God. The jealousy of God.

The stone wall of the old law. The pillar of the Trinity. The pillar of the humanity of the Savior. The tower of the church. The Son of Man. The last days and the fall of the Antichrist. The new heaven and the new earth.

BingenHildegard

Symphony of the blessed. Bibliography to introduction.

Wikipedia Read associated articles:, Bookmark Work ID 10172040.

Liber Divinorum Operum (The book of divine works), which Hildegard von Bingen began composing in 1163‒64 and finished in 1172‒74, is the last of her three great works of visionary theology. It was preceded by her best-known work, Scivias (Know the ways, composed in 1142–51), and Liber Vitae Meritorum (Book of life's merits, composed in 1158–63). In each of these works, Hildegard (1098‒1179) describes the often strange and enigmatic visions she received, which she then follows with an explanatory commentary pronounced by the voice of God. The manuscript presented here is one of three transcriptions of the work, and the only illuminated manuscript. It can be dated to between the second and third decades of the 13th century. The manuscript is in Gothic handwriting in two columns of 38 lines on each page, with hard point ruling.

It has ten full-page miniatures, each of which marks the start of one of the ten visions in the work. Titles, summaries, and the incipit and explicit of each vision are in red ink; sections of text begin with red and blue initials with frames and illuminated initials. Pages are numbered within each vision in the side margins in red and blue Roman numerals. The manuscript has marginal notes in various hands, some of which were partly removed due to the trimming of the pages of the codex. Now held in the State Library of Lucca, the codex came originally from the monastery of the Clerics Regular of the Mother of God in Lucca. The manuscript underwent conservation treatment in 1936.

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Hildegard von Bingen was a Benedictine abbess and mystic, also known as the Sybil of the Rhine. She was born in Bockelheim, Germany, and founded Rupertsberg Convent near Bingen in around 1147. One of the first of the great German mystics, she is known for her music, poetry, and theological visions, which have remained popular over the centuries. Hildegard was canonized and named a doctor of the church in 2012.

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